Personal Histories

Phew, that was fast. I put the finishing touches on an article late last night and it is already up on the Guardian website. This one, about the relationship between myself and my maternal grandmother is a bit more personal than usual and I am still getting used to having put it out there. However, it is also just the sort of thing I am pushing myself to write more of despite fears and reservations.

I’ve struggled over the years (more than I care to admit) with feeling like an outsider in the gardening industry. My personal history just doesn’t look like many of the stories I’ve heard from the overwhelming majority of garden writers. And so I have hidden who I am. That’s not to say that my writing is not honest or true, but that there is more, much, much more.

I have often felt that what I had to say about my own experiences was too much, too heavy, too messy, inappropriate for this venue (garden writing) …not quaint and cute enough. I’ve silenced myself in small ways as a result. As what I produce has increasingly become tied to my ability to make a decent living I’ve silenced myself still more.

I took the first steps away from that self-imposed choke hold a few years ago and then moved forward further still last year with the Recreating Eden documentary and a personal piece for Organic Gardening magazine. I saw these venues as opportunities to push myself and reveal more about past experiences that have lead me to where and who I am as a gardener. And as a person too. It’s difficult to separate the two and I suppose maybe the problem is that while my way of creating a palatable public presentation was personable, it withheld the complexity of my humanness. In the end neither the outcome of the documentary nor the article were nearly as dramatic as they felt at the time.

This new piece is another take on the Organic Gardening article, which will be evident within the first few sentences. I suppose the thing is there is no individual story that sums things up. I am often asked to talk about how I got started gardening and I have to admit that I have never been able to answer easily or succinctly. There are many stories, and a book’s worth of experiences that lead me to where I am. I know in my heart that complexity is the truth behind all of our lives and that if I want to see and feel that I am not an outsider (perhaps we all are) then I need to be willing to take a chance and step into my own fears a little bit. Or a lot.

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There’s Joy in Hard Work

Photo by Gayla Trail  All Rights Reserved

I listened to this essay about the importance of physical labor by urban gardener Mary Seton Corboy yesterday morning on the This I Believe program and thought it was so brilliant I had to share.

Listening to her talk about digging ditches made me want to run outside and dig something… except that it is winter here and the ground is frozen. Day-to-day physical activity is something I miss sorely during the winter months. During the warm months there are average labors like planting seedlings, turning the compost pile, hauling buckets of water to the container plants out on the roof or getting on my bike to go anywhere I want. But in the winter exercise seems forced. I have to make a point to “get outside” on a long hike in the cold, or drag my reluctant ass to the gym where I then use a series of strange machines in a loud, obnoxious environment to achieve what comes so easy in the garden. I also find physical labor, especially in the garden, offers a chance to blow off steam or problem solve as my body goes through the motions of a task at hand. My body takes over on its own in a way that opens up space for my brain to go through its own motions and work through issues from a different perspective. Meditation in motion. The idea that I would be or should be striving to reach a point in my life where I can delegate those tasks to someone else… forget it! I would lose out on one of the places I find joy as a gardener. As a human being.

As a writer and speaker I am sometimes pressured to speak about gardening as easy work. In a way this is true. I try to put a positive and approachable spin on things because I whole-heartedly believe that gardening is something all of us can do. Gardening is for everyone. No one should be intimidated out of giving it a shot. But that’s not to say that it is easy. Sometimes it is. Sometimes it is as easy as breathing. Unfortunately, what comes easy to one person can be utter hardship to another. Factors like personal strengths and weaknesses along with climate, conditions, location, resources, etc can dictate all sorts of subtle and not-so-subtle differences from one gardener to the next. Sometimes it is brutally hard. But that doesn’t mean we can’t enjoy it.

I find real joy in hard work and labor. Sometimes I hate it and want to kick at the ground screaming. Never mind the things I can’t control: the groundhog that ate every bean and broccoli seedling; the summer a fluke weather pattern brought a plague of aphids in on the wind. Aphids literally rained down from the sky! Imagine how much hand squishing it took to get that under control.

Sometimes I love it and hate it all at once. I might complain about lifting bags of soil up five flights of stairs and hauling endless buckets of sloshing water through the apartment to the containers out on the roof, but all of that only serves to instill a heightened sense of pride in everything that comes out at the other end of the work: homegrown food and beautiful outdoor spaces to relax in. There are some good stories in there too. I often wonder if I would feel as much pride if the seeds just grew on their own with no help from me at all. Would I treasure each tomato in the way I do? Would I demand to be photographed with every zucchini plucked from the plant? Probably not.

So on top of the body, mind and spirit benefits that come from the hard work we do in the garden there is also the joy, pride, and sense of accomplishment that comes from something that is not handed over on a plate. The sense of something meaningful that is hard won. The taste of small victories.

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As You Might Have Imagined, It’s Botanical

Photo by Davin Risk All Rights Reserved

I got a tattoo.

I feel a little silly saying it since there is something kind of odd really about having artwork permanently etched onto one’s body. And despite what anyone has ever told you, getting a tattoo hurts. So, paying someone to essentially scratch me repeatedly for hours on end with a cluster of seven needles on a vibrating pen that introduces ink to the wound that will hopefully, if all goes well, become a permanent scar on my body… yeah, that’s a bit odd.

I’m only really getting just how odd now that it’s there. I’m very glad that I decided to wait until I was old enough to be sure about what I was putting on my body. Had I gone ahead at the age of consent I might be stuck with Morrissey’s mug on my arm or… I don’t want to imagine the humiliating possibilities… I shudder to think.

Here’s the outline only minutes after completion in all of it’s swollen and painful glory:

Photo by Davin Risk All Rights Reserved

  • My spouse Davin drew the illustration. I wanted it to be unique to me and having it come from him was important. We enjoy collaborating on art projects, although in this case I was less involved in the making. My role was to bear the pain and permanently host the art.
  • The work was done by India Amara.
  • It’s based on an unknown wild tomato that comes up as a volunteer in my community garden plot every year. I wanted something that, in my mind, represented resilience, perseverance, and determination.
  • I decided on a tomato plant for pretty obvious reasons — it’s my favourite plant to grow!

I really like the tattoo although I am second-guessing going back at a later date to have it shaded. I’m starting to think it might be good enough as-is. These doubts about follow-up work started a day ago and were cast by the itching.

Oh the itching. Someone please make the itching stop!

The tattoo itself just started itching yesterday but that itching was previously usurped by the massive bandage and paper tape allergy that has erupted on the underside of my arm. I have a giant red welt underneath my arm and a smaller one just next to it. But now that the scabbing is in full effect the tattoo itself has begun to itch. Imagine, if you will, that a cat has gone to town on your arm. And now those scratches have scabbed over. Ouch! There were some horribly wincing moments during the tattooing process, but I have a fairly high pain tolerance and those moments were lingering. I started to get irritated with the process by the end but never once thought about stopping. But the itching… the itching may take me down yet. So now the tattoo has a whole new meaning to add to the symbolism.

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A New World, And a Bold World

Photo by Gayla Trail  All Rights Reserved

Hello.

Hi.

Is this thing on?

I’m experiencing a bit of stage fright, sitting here staring at the screen. It’s been so long since I’ve been here. Not here as in sitting at this computer staring at the screen. I’ve been to that “here” TOO much over the last few months. No I mean here, here. To this site, here. It’s been so long since I’ve pulled my head out of the cave I’ve been living in. Pulled my nose up from against the grindstone, so to speak. Reintegration is going to take some time and patience. When I thought I might write here today my first thought was, What will I say?

So much has happened and yet nothing has happened. I haven’t done any gardening so there are no recent experiences to draw from. And yet I just finished writing roughly 75, 000 words on the act of gardening. And I just spent hours upon hours looking through the thousands of photos of gardens and gardening that I took over the last year. I am immersed in gardening to the point of collapse and yet I have nothing to say.

The brain is tapped. I need a refill.

And so first some pictures. A little Dazzle Camouflage (aka Dazzle Ships), if you will. Because when I can’t speak with words, I can often find a way to say something with a picture. Although I’ll admit I don’t know what these say. Squash is pretty?

Photo by Gayla Trail  All Rights Reserved

And also, wow America. It took a while for it to sink in today. I think I was afraid to believe it was real. But it is real. My excitement is swelling. I have been thinking about the Nina Simone song “Blackbird.” (Sorry I couldn’t find a version online) The first line goes, “Why you wanna fly blackbird, you ain’t ever gonna fly.” I’m a big Nina Simone fan and have long turned to that song in moments of hopeless despair. She expresses so fully that sense of deep longing and wishing for the impossible. The fear that to wish and then to turn that wish into an action (hope) will lead to more despair and pain. It’s always amazing to see a concrete example of what can happen when people take a chance — even if just a small one — to put hope into action. And so I’m then reminded of this Nina Simone song.

I’m so happy for you, America. Happy for all of us.

p.s. I have zillions of unanswered emails in my inbox. I promise to get back to you soon.

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Thank You

Photo by Gayla Trail  All Rights Reserved

Sakura’s White Bleeding Heart in the street garden

I wanted to write and thank you all for your very kind words and wishes about yesterday’s post. I’ve been overwhelmed. Thank you.

I have to admit I have felt a little bit of embarrassed by what I wrote. On the one hand it reads so dramatic, but then when I ask myself if it is true the answer is yes. I believe they call that passion although some would call it melodrama. One commenter was right in saying that this is coming at a bad time and maybe I would not have been so crushed at another time. This is true. I am going through something difficult. It had been a particularly bad week and as I wrote elsewhere it was just the cherry on top of a big plate of shit cake. But I should also add that my words were less tempered than previous posts about this issue because in the past I have waited until a lot of time had passed before writing. The last time I wrote something heartfelt about this was a month after the incident had occurred. It took me 30 days to get to the point where I could look at the garden or even begin to think about caring for it again. So despite recent badness I know it still would have flattened me. I’d been holding my breath waiting for the next big incident to occur. There had been a series of smaller incidents over the last month but I could roll with them. However, this was just the final straw after countless larger acts of vandalism built up over the years, much of which had come from the landlord himself. Sometimes it even came from my so-called neighbours living in the same building (this is a small building too). Years back we made a garden in the space by our building’s door but gave up after that space was repeatedly flattened until nothing was left. But not to be deterred I tried and tried again. We even put in a brick path for people to walk on but they still insisted on crunching through the garden. I once watched in slow motion as a former tenant’s visitors stood in and walked all over flowers I had JUST planted. I was still crouched there planting! That kind of disregard is staggering.

Experiences and how we respond to them always happen within a very personal context so in my case this last act of extreme disregard followed on the heels of years of similar incidents. And most especially followed on the heels of last year’s Operation Garden Terrorism 2007 wherein a week didn’t go by when some act of vandalism was discovered. On the morning of this last incident I stood looking at the garden feeling very content with how lush and full the garden had grown. It was the first day I didn’t stand looking at the garden thinking, “I REALLY hope some drunk dude doesn’t fall into the iris bed this year.” And, “Wow the globe thistle is finally getting its chance to come back. Let’s hope no one gets the idea to destroy it, AGAIN.” It was the first time in a while that I didn’t worry. So of course that was the day this next batch of destruction occurred.

The garden is still there. It’s a decent-sized space filled up with plants. Someone would have to really plow through it to kill everything off. So while there are huge gaping holes, there is still a garden. And I suppose there is some hope for me yet in that I am already contemplating getting another rugosa rose to fill up one of the holes. Because while people have tried, the current rugosa rose is the one plant nobody can really mess with. It’s just too big and thorny. I have always chosen strong, resilient, and drought tolerant plants for that space but I am slowly moving closer to filling the entire thing up with thorny, imposing plants. No more delicate blooms or perennials that die back during the winter leaving them in a vulnerable position until they grow back to full size. No, the beauty of the rugosa rose is that once it gets to a certain size it stays big indefinitely. So maybe that will be my new strategy, one in a long line of shifts I have made over the years in an attempt to roll with the punches. Because when it comes down to it I can’t let it go. Not yet anyways.

I recently bought the new book, “What It Is” by Lynda Barry. I think she is an incredible writer and artist and I am loving this new book so much because it’s not only a beautiful work of art filled with very astute observations and personal stories but it is also a guide to writing and story telling that anyone can follow. She believes we all can and should be writing and drawing for the love and creative expression of it, just like I believe everyone can grow a garden. There are a number of personal stories in the book that I really relate to and one is about fairy tales and myths and how often in those stories the dead kingdom represents when people have turned to stone inside. I’m not sure if it’s meant to represent a loss of hope or a disconnection from oneself although I’m guessing either or both could work. I have been reading and rereading the following passage over and over again recently because it encapsulates exactly how I feel about dealing with difficulty and what I said yesterday about feeling everything no matter what.

Page 54 reads:

“In a myth or a fairytale, one doesn’t restore the kingdom by passivity, nor can it be done by logic or thought. So how can it be done? Monsters and dangerous tasks seem to be part of it. Courage and terror and failure or what seems like failure, and then hopelessness and the approach of death convincingly. The happy ending is hardly important, though we may be glad it is there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn’t dead.”

Time to get back to restoring the kingdom. Thanks again to all of you.

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