CobraHead Precision Weeder and Cultivator

Cobrahead

I am a strong believer that gardening does not, and should not, require a lot of “stuff”. Container gardeners especially can get along with their hands, or a fork, spoon, and kitchen shears if need be. However, the right tool can make you feel like you’re ready to kick some ass even when the only ass you’re about to kick is a small pot of basil on your window-ledge.

That said, about three years ago I wrote a glowing review of the Cobrahead Precision Weeder & Cultivator. It’s sharp blade, and versatility (useful for weeding, digging, planting, cultivating and more) made this a tool I could get behind. Years later and I am still using the same Cobrahead. It’s seen it’s day ripping through all kinds of soil conditions and looks pretty much like it did on that first test run way back when — albeit underneath the dirt and despite a complete and utter lack of care or maintenance on my part. I just wipe it off with my glove, throw it in my tool bag, and done.

Inventor Noel Valdes has just come out with an upgraded Cobrahead model and I was sent a fresh new tool to try out. The accompanying promotion material boasts of a new handle made of 100% recycled material, a heat-treated steel blade with a heavier zinc coating making it more bend, break, and rust-resistant. Despite all that I didn’t notice a difference during a test run in which I tried both my old and new tool in the same conditions at my community garden. To be honest as a user I didn’t think it needed upgrading since my old model is still kicking loads of compacted soil ass. The new improvement I did notice is the new blue handle that is easier to locate in the garden although I think a hot pink handle would be even easier to locate in the grass.

Cobrahead

CONTEST Headsup: I’ve got one, new Cobrahead as a prize give-away. Sign up for the mailing list. On September 29, 2006, I’ll be sending out entry details through the list only.

* You Grow Girl is not being sponsored or paid to promote this product. I just like it.

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Danny Seo’s Simply Green Giving

Guest post by Renee Garner

Harper Collins touts him as “the eco-conscious, creative wonder kid,” but just what makes Danny Seo an environmental stylist? First and foremost, Danny is actually a grown man, nearly 30, with an activist spirit he has nurtured since his preteen years.When Seo was 12, he formed a group still active today, Earth 2000. Mere coincidence he was born on Earth Day?

He has written 3 books, hosts a radio show and will debut a TV program on Lime TV in November. Almost everything Seo does is called “Simply Green,” a reflection of his style and sensibility. Seo is on the list of 40 Under 40 to watch by Crain’s New York Business, as well as recognized as one of People Magazines 50 Most Beautiful People. Seo is a spokesman for Call2Recycle. And for the stylist part? Seo greens up celebrities everywhere, proving green can be glamorous and not all granola.

Seo’s latest book, Simply Green Giving, is devoted entirely to gifts: making, buying, wrapping and beyond. This book consists of short blurbs, ideas, simply beautiful photography, and intermittent resource suggestions. There is also a resource guide in the back for crafty newbies who are still learning their ways around a thrift store. Seo diplomatically approaches environmentalism, and conveys his message in an non-intimidating manner. The pictures do an incredible job of bringing seemingly implausible ideas to life. The idea of using VCR tapes as ribbon is festive and adorable. Another suggestion of packing a gift in a cigar box is classy and fun. His philosophy and pared down aesthetic make Simply Green Giving seem more like reading a magazine than an eco-guide to living.

Although Seo is more often along the right track of reducing waste and reusing what most others would call waste, some of Seo’s Giving ideas are clumsy at best. Wrapping a gift in tickets straight off the roll seems wasteful, and reusing cardboard boxes seems obvious. Making a spa/hygeine kit seems like a great idea, but giving Crest whitening strips doesn’t seem to be a great gift (I think that’s getting a little too personal) nor does it seem to be very eco-conscious. While the perfume strip bow is precious, I shudder thinking someone might replicate the idea. If you consider using that particular idea, first do a little detective work to find out if the recipient is fragrance sensitive. You just might give someone a bamboo bathrobe and a 2 day-long migraine.

The book is perfect for hoarders and pack rats, since it gives a creative jump start for using all the things kept under the guise of “needing it one day.” Seo’s philosophy is a comforting sign: environmentalism can be mainstream. With the clean and minimal lifestyle he represents, one question remains, “Where does he hide all that junk?”

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‘Black Seaman’ Tomato

Update: The first of the next batch has ripened. I had both my neighbour and my spouse do a taste test and we all agree that while it is tasty, it doesn’t stand up to the black indeterminates like ‘Black Krim’ or ‘Black Plum’. My final verdict is that it’s a great mid-sized determinate perfect for small spaces like fire escapes, but if you want the real thing get a HUGE plastic garbage can and grow an indeterminate variety.

'Black Seaman'

I’ve been waiting anxiously for the first ‘Black Seaman’ tomato to ripen. From the looks of things I was certain this would be my new #1 determinate but I was hesitant to even go there in my mind without tasting one first. I watched everyday with bated breath as a large crop of good-sized green tomatoes blushed with color. The first was eaten by a large raccoon (The largest I have ever seen! A film crew could use this deck as a location for Wild Kingdom). And then over the weekend we caught the tail end of hurricane Ernesto and the bulk of the nearly ripe ‘Black Seamans’ burst open as a result of torrential downpours and had to be quickly, and prematurely plucked from the vine. We tasted a few with salt and I will say that they were rich and flavorful with a hint of tang, even when under-ripe. Some were on the mealy side but that was likely caused by the splitting. I will provide a more thorough update on taste when the next batch ripen but in the meantime here’s why this variety has been given a tentative spot in my top 5:

  • It’s a determinate mid-sized plant with medium-sized fruit.
  • The fruit is a lot larger than expected. It’s hard to find a variety that is small and compact with reasonably-sized fruit. My long-standing #1 fave was ‘Silver Fir Tree’ but I am almost certain ‘Black Seaman’ will replace it.
  • My test plant has done exceptionally well in a pot size normally reserved for small, bushing tomatoes. In fact I usually grow ‘Sunrise III’ in this container as I assumed the plant size was similar. I was shocked when ‘Black Seaman’ grew both upwards and bushy and even more astounded by how healthy it has been in such a small container. The container is terra cotta no less!
  • It is prolific. It’s sad that I lost so many to splitting but there are still plenty more queuing up. In mid-sized containers my ‘Silver Fir Tree’ plants generally produce an absolute maximum of 10 mid-sized tomatoes. The lone ‘Black Seaman’ stands to produce around 20.

'Black Seaman' Tomato

  • The fruit is colorful both inside and out with a dense centre that makes it perfect for slicing and eating on sandwiches.
  • Flavor: This is yet to be determined since the first batch were under-ripe. I will guess that they will not measure up to other black varieties like ‘Black Krim’ or ‘Black Pear‘ but you can’t grow either of those in a mid-sized terra cotta container on a blazing hot rooftop in the city.
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Deconstructing the Shed

Guest post by Renee Garner

Several years ago, London’s Victoria and Albert Museum hosted The Other Flower Show. Ten renowned artists were invited to transform a museum-provided garden shed into a work of art. The result was an exhibit conceptually based around the method of gardening rather than the garden itself. The following artists each gave a great example of how to expand your shed to be more than just a shelter for your tools.

The Playhouse: Artist and Designer Tord Boontje, well-known for his laser cut Tyvek curtains and light shades, raised his shed up a floor-level into a fancifully decorated tree house. Though no longer convenient for shed use at such height, Boontje transformed his structure into a lacey, fantasy domicile (albeit for a family on stilts) that would surely inspire a garden of its surroundings.

The Temple: Heather Barnett‘s Rooted in Time is one part greenhouse, one part sanctuary. The interior space is comprised of seeds sown to the wall in wallpaper patterns resulting in delicate and lush patterns, less of a shed, and more of a garden infused with traditional qualities of both Asian and British gardens.

The Getaway: Upon entering duo Illustrious’ shed, visitors were transported to the British countryside through a 3-D sound field. Think surround sound meets virtual reality, bringing new meaning to the field of audio architecture. But the sounds included surprises, as gardens often do, with jolts of urban noise. Sound, an often overlooked sense in gardening Illustrious reminds us, is essential for the atmosphere, space and place.

The Laundromat: Possibly London’s most picked-on artist, Tracy Emin created a shed that functions as a metaphorical clothes line where she can air her dirty laundry. Often discussed in a controversial light, Emin’s nostalgic sculptures are sexually charged yet amusingly appropriate for a garden. After all, the birds and the bees are just as important tools for the garden as the hoe.

Amnesty HQ: Graham Fagen‘s Blood Shed, another audio installation, crafted a gardening playlist of songs representing disparate politics. The shed itself displays items placed together to emphasize the earth and the dissection of it. The result is a veritable tilling of identity in relationship to the environment, as well as an amendment to the soils of cultural dissolution.

Watering Hole: Another partner created work, Fat‘s Drip Shack, is anti-architecture brought to life with water. The conceptually deconstructivist building recalls plant life cycles in a man-made, structure. The shed transposes organic with mechanic, and the resulting dichotomy illustrates nature’s incredible ability to animate.

The World’s Largest Camera: Nilu Izadi‘s Camera Obscura is a pin-hole camera in the guise of a shed. A hole in the ceiling constantly captures the sky and the trees as smaller cameras do, but this was a camera one could walk into, enjoying the garden from the outside in, and from the upside down.

The Laboratory: Andreas Oehlert‘s shed was more of a combination laboratory/presentation hall. Oelhart’s hybrid of mismatched flowers parts creates an ominous hall of mirrors reflecting bioengineering at its most eerie.

The Status Symbol: This quote from the Victoria and Alber Museum site is the most brilliant description of Sarah Staton‘s work, Swiss Cheese:

It is this notion of Englishness that interests Sarah Staton, particularly in reference to style, where the dilution of modernist ideals produced a ‘populist pastiche modernist style solution’. This has since been championed through lifestyle magazines, TV decorating shows and lifestyle superstores such as IKEA.
Rather than creating an environment in her shed and focusing on its architectural function, Staton plays with its structural form, allowing it to become a sculptural object in its own right. The formal aspect hints at a modernist aesthetic but the interior floral decoration, the colour palette and the wooden structure seem more Better Homes than Bauhaus.

All too often gardening is left to the designers in a high brow world of acceptable versus affordable. Staton accepts these ideals, but only after she has firmly placed her tongue in cheek.

The Drawing Room: Chris Taylor and Craig Wood‘s work titled Our Shed approached the task as the initiators, but left fate to finish the piece once the exhibit opened. The pair created floral connect-the-dot wallpaper, leaving it lineless and open for the public to solve. This philosophy of removed interaction evolved much like a wildflower garden, with no way to predict the colorful graffiti-like outcome.

Each of these artists emphasized a distinct concept of gardening, simultaneously exploring the shed’s role in place and time. All too commonly the shed is dismissed. Let’s face it, how stirring can tool storage really be? Each of these artists brazenly approached this question on many levels, something the gardener reverently does in their flower patch daily.

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Following the Status Quo: $16,565.00

Guest post by Renee Garner

Office Manager may sound like a hefty title, for those not in the know, but really I am just a glorified secretary. Sure I have a degree, but that doesn’t equate to a high paying job in my chosen field: art. So I make enough to live off of but not much more and that means I can’t afford a landscaper to come out and neatly tend my flocks of daffodils. And really, just to be honest about things, I wouldn’t want one to, either.

So with no offense, Bill Alexander, I dismiss your $64 Tomato. No tomato should cost $64, even in the quest for a perfect garden, if you are willing to invest yourself in your garden. Hopefully then your tomato will be sentimentally worth as much, if not more, than that, but will have a similar or lower price than of the Styrofoam-like grocery store variety. Mr. Alexander, I believe you are proselytizing a myth of the rich, that gardening should be cookie cutter perfection, and an investment in the landscaper’s moneymaking dream machine.

While the book may be humorous and witty, let us not forget that it concerns gardening with a goal free of mistakes. While the story inevitably teaches us about healthy mistakes, and gives us morals, I wonder how satisfying a garden can be if you pay a designer $300 to plot the layout. Who can pay nearly $9,000 for construction?!? I scoff at plants that cost $15, why would I want a bed worth more than my car? I understand the value of a garden. When forced with a choice, I’m much more inclined to spend $20 on plants and a six-pack from the store than I am to spend an equal amount getting into a club and buying a couple drinks. Well, maybe if Menomena came back around. . .I digress.

But the beauty of my job is that I get off at 3 in the afternoon, with plenty of post-work plant time. Since I don’t use my creative skills at work (unless you count these stolen moments blogging! Please don’t tell!) I use them in my yard, much to the disdain of my neighbors, who would rather my tomatoes cost $64. Which brings me back to the concept of money.

One of my most valuable resources has been dubbed “the midnight lumber sale”, also known as “the five fingered lumber discount.” There is new construction all around my house, and I am willing to bet there will be construction within spitting distance for another several years. Hammers echoing in the neighborhood at 6:30 AM are not my favorite sound, but I am indebted to those brand new condos, for they have been the suppliers of the goods used to build my raised veggie bed. And without that, I would have no place for my free manure (well, $3 in gas to pick it up) that I found on Freecycle! I did ask for permission before trifling through the riff raff, but for the most part you can tell which piles are good and which are trash. Need I remind you, dear friend, we want to sort through the trash and not the good building materials, because that would be stealing, and stealing is worth its weight ten-fold in bad karma points. However! In the trash pile you will find glorious resources aplenty, and with a little creative ingenuity, you too, can build the garden of your dreams. From the demolition phase, I loaded up on concrete blocks, 2 x 4s, and a picket fence that now gives my beloved pups a yard to run around freely in. Now in the construction phase, I have scored some beautiful and fairly large rocks for my shady woodland garden. I have also gotten piles of untreated lumber to build my raised bed with! Total costs: I’m gonna guess high and say $40 for bagged dirt and compost of the cheapest variety I could find at my local gargantuan hardware store. $0 for lumber and since my lumberyard is essentially spitting distance, no cost in petrol. I can go ahead and add in another $12 investment: black rolling trashcan, which is now my portable compost container, but I bought that with a Target gift card, so technically it doesn’t count. Just to make Bill not feel so bad, I’ll include the cost of that. So I’m up to a hefty $56.

The plants were grown from seed, which ranged in price from free (trading for variety) to $2.75 for a pack of 6 heirloom tomato seeds (way to rich for my blood, won’t make that mistake again) in any container I had lying around the house. Cloched in pop bottles a la Gayla Trail, the bottles have been recycled into another fabulous Trail idea: an irrigation system. I have grass-clipping mulch to maintain soil moisture. I did buy 5 plants because my first batch of seedlings pooped out on me when I went on vacation. I’ll add $15 for that. I can say I’ve spent less than $30 on plants. Considering I use rainwater gathered in buckets and pitchers, I’ll add another $6 so far on water, which is, again, a gross overestimate.

Since Alexander has included books and resources, I have 3: You Grow Girl by Gayla Trail (2 copies since my dog ate my first one, total including tax:32.25), Rodale’s Organic Encyclopedia bought new 10 years ago for 21.35, tax included, and Mel Bartholomew’s Square Foot Gardening bought used on Amazon for $6, shipping and tax included.

All of these variables accounted for, I’ve spent less than $200 on my veggies. I have approximately 60 tomato plants, and if they each produce one tomato and nothing else produces, I will have $2.53 tomatoes. So, Bill, next time you diddle in the garden, think outside the box of plastic perfection, I guarantee your tomatoes will taste so much better for it. Because as far as I can figure, following the status quo to grow a ‘mater: $16,565.00; Utilizing your own resources: Priceless.

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